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Son montuno
The son montuno is a subgenre of son cubano. The son itself is the most important genre of Cuban popular music.〔Díaz Ayala, Cristóbal 1994. ''Cuba canta y baila: discografía de la música cubana 1898–1925''. Fundación Musicalia, San Juan P.R. p317〕 In addition, it is perhaps the most flexible of all forms of Latin-American music, and is the foundation of many Cuban-based dance forms, and salsa. Its great strength is its fusion between European and African musical traditions.
The son arose in Oriente, merging the Spanish guitar and lyrical traditions with Afro-Cuban percussion and rhythms. We now know that its history as a distinct form is relatively recent. There is no evidence that it goes back further than the end of the nineteenth century. It moved from Oriente to Havana in about 1909, carried by members of the ''Permanent'' (the Army), who were sent out of their areas of origin as a matter of policy. The first recordings were in 1918.〔Díaz Ayala, Cristóbal 1994. ''Cuba canta y baila: discografía de la música cubana 1898–1925''. Fundación Musicalia, San Juan P.R. p316 et seq: El son.〕
There are many types of son,〔quoted in Orovio, Helio 2004. ''Cuban music from A to Z.'' p204〕 of which the ''son montuno'' is one. The term has been used in several ways. Probably the 'montuno' originally referred to its origin in the mountainous regions of eastern Cuba; eventually it was used more to describe the final up-tempo section of a son, with its semi-improvisation, repetitive vocal refrain and brash instrumental climax.〔Orovio, Helio 2004. ''Cuban music from A to Z''. p141〕 The term was being used in the 1920s, when son sextetos set up in Havana and competed strongly with the older danzones.
== Later developments ==
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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